Rubber Soul has been lopsided for 61 years. On the 1965 stereo mix the voices are parked on one side and the instruments are scattered across the rest. On headphones it is like eavesdropping on two different rooms. On 2 October that changed. Giles Martin and engineer Sam Okell released a new stereo mix on Apple Music, rebuilt from the original four-track tapes. It is also on Spotify. I haven’t done my proper listen yet.
I just finished Ian Leslie’s “John & Paul: A Love Story in Songs” and one passage stopped me cold.
“No song is more McCartneyesque than ‘Penny Lane’, just as ‘Strawberry Fields Forever’ is indubitably Lennonesque. Paul created songs that felt as if they had always existed; John channelled transmissions from another planet. Paul’s melodies feel like the purpose of music itself; John strains at the limits of chords and keys, trying to get past music into pure feeling or experience.”
That’s the whole book in four sentences. And once you read it, you hear every Beatles song differently.
“Go’n load us up with tariffs, but we’ll never be the 51st state." That’s the chorus Bryan Adams dropped on Canada Day, and it’s about as subtle as a power chord. He never says ~Trump’s~ name once. He doesn’t need to. CBC covers the release: a two-minute, sixteen-second rock anthem timed to July 1 (Canda Day), built around the annexation rhetoric Trump has repeated on and off for the better part of two years.